English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
5
Partitions
Numériques
12
Librairie
Musicale
9
Matériel
de Musique
18
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
PDF/Flash
Non classifié
318
PIANO & CLAVIERS
Piano, Voix
783
Piano seul
236
Piano Facile
92
Accompagnement Piano
30
Piano, Voix et Guitare
18
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
1
Piano (partie séparée)
1
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
14
Guitare
12
Piano, Guitare (duo)
5
2 Guitares (duo)
2
3 Guitares (trio)
2
Guitare (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Voix seule
130
Voix Soprano, Piano
21
Voix Tenor, Piano
19
Chorale SATB
19
Chorale 3 parties
12
Chorale TTBB
8
Chorale Unison
6
Chorale 2 parties
4
Voix duo
3
Voix Tenor
3
Chorale
3
Chorale SSAA
3
Voix Baryton, Piano
2
Voix basse, Piano
2
Voix Soprano
2
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
54
Hautbois, Piano (duo)
49
Clarinette et Piano
41
Clarinette
39
Saxophone Alto et Piano
35
Flûte traversière
34
Saxophone Tenor et Piano
31
Saxophone Soprano et Piano
26
Quatuor de Saxophones: 4 saxophones
25
Saxophone (partie séparée)
23
2 Saxophones (duo)
23
Flûte à Bec
19
Saxophone
18
Hautbois
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Saxophone Alto
14
Hautbois (partie séparée)
11
Quatuor de Flûtes : 4 flûtes
10
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette (partie séparée)
8
Clarinette Basse, Piano
8
Saxophone Baryton, Piano
8
2 Flûtes traversières (duo)
6
Saxophone Tenor
6
Flûte, Hautbois, Clarinette, Basson
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Clarinette et Basson
5
Ensemble de Clarinettes
5
2 Clarinettes (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Trio de Flûtes: 3 flûtes
4
Saxophone Soprano
4
3 Clarinettes (trio)
4
Saxophone Baryton
4
Flûte, Clarinette (duo)
4
Flûte et Guitare
4
Flûte, Hautbois, Piano (trio)
3
Saxophone, Clarinette (duo)
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Hautbois, Basson (duo)
3
Hautbois, Flûte
3
Cor anglais, Piano
3
Quintette de Saxophone: 5 saxophones
3
Cor Anglais
3
2 Flûtes traversières, Piano
3
Clarinette, Violon (duo)
3
Flûte, Basson et Piano
3
2 Clarinettes, Piano
2
Quatuor de Flûtes à bec
2
Flûte, Violon
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon, Piano
2
3 Saxophones (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec, Guitare (duo)
2
Saxophone et Orgue
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Flûte irlandaise
2
3 Hautbois
2
Clarinette, Basson (duo)
2
Flûte, trombone et piano
2
Ensemble de Flûtes
2
2 Saxophones, Piano
2
Clarinette, Harpe (duo)
2
Flûte à bec Soprano, Piano
2
Clarinette, Violoncelle (duo)
1
Flûte, Alto et Piano
1
Flûte à bec Tenor
1
Clarinette et Alto
1
Clarinette, Basson, Piano (trio)
1
Flute (partie séparée)
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Instruments en Mib
1
Flûte, Trompette (duo)
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Flute, harpe et violon
1
Flûte à Bec, Piano
1
Clarinette, Guitare (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
37
Trompette
34
Trombone et Piano
30
Trombone
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Cor
19
Cor et Piano
19
Tuba
16
Euphonium, Piano (duo)
15
Tuba et Piano
15
Euphonium
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone (partie séparée)
8
Trompette (partie séparée)
6
2 Euphoniums et 2 Tubas
5
Quatuor de cuivres: 4 trombones
4
2 Trompettes (duo)
4
Trio de Cuivres
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
3 Trompettes (trio)
3
Ensemble de Trombones
3
Trompette, Violoncelle et Piano
3
2 Trombones (duo)
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres
3
Cor anglais, Piano
3
Cor Anglais
3
3 Trombones (trio)
2
Cor (partie séparée)
2
Trompette, Tuba (duo)
2
Tuba (partie séparée)
2
Trombone, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Trombone basse et Piano
1
Instruments en Sib
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
78
Violon et Piano
76
Violoncelle, Piano
54
Alto, Piano
44
Violon
25
Violon, Violoncelle (duo)
22
Violoncelle (partie séparée)
18
Harpe
16
Trio à Cordes: violon, alto, violoncelle
13
Contre Basse
12
Alto seul
11
Violoncelle
11
Violon, Alto (duo)
9
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto, Violoncelle (duo)
6
Alto (partie séparée)
6
2 Violons (duo)
6
Contrebasse, Piano (duo)
6
Harpe, Violon (duo)
5
Contrebasse (partie séparée)
5
4 Violoncelles
5
2 Violoncelles (duo)
4
Harpe, Flûte (duo)
4
Violoncelle, Contrebasse (duo)
4
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
3
2 Altos (duo)
3
Quatuor à cordes : 4 altos
2
Violon, Clarinette, Piano (trio)
2
Trio à Cordes: 2 violons, alto
2
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
2
3 Contrebasses
2
2 Violons, Piano
2
Harpe et Piano
2
Piano Trio: Violon, Alto, Piano
2
2 Harpes (duo)
1
2 Violoncelles, Piano
1
Trio à cordes: 3 violins
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
40
Orchestre d'harmonie
38
Orchestre à Cordes
19
Orchestre de chambre
14
Ensemble de cuivres
10
Percussion (partie séparée)
6
Xylophone, Piano
5
Marimba
4
Fanfare
2
Xylophone
2
Timbales (partie séparée)
2
Ensemble Jazz
2
Ensemble de Percussions
1
Batterie (partie séparée)
1
Percussion
1
Quintette à Vent
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Puccini
PDF
Partitions à imprimer
12 partitions trouvées
<
1
Gorgeous Melodies for Fingerpicking Guitar
Guitare
Guitar - Intermediate - Digital Download SKU: M0.31129MEB World. Folk. Ebook and on…
(+)
Guitar - Intermediate - Digital Download SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31129MEB). ISBN 9781513476896. 8.75X11.75 inches.The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.
Song List
: Once to Every Man and Nation (Thomas J. Williams) Castle Of Dromore Jesu, Joy of Man's Desiring (J S Bach) Hector the Hero (J Scott Skinner) Niel Gow's Lament for the Death of His Second Wife Che Gelida Manina (Giacomo Puccini) Plaisir D'Amour (Jean-Paul-Egide Martini) El Noi De La Mare Beautiful Dreamer (Stephen Foster) My Heart at Thy Sweet Voice (Camille Saint-Saens) Pavane, Op No 50 (Gabriel Faure) The Fairy Queen (Turlough O'Carolan)
$17.99
16.78 €
#
Guitare
#
Gorgeous Melodies for Fingerpicking Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
O Mio Babbino Caro (guitar solo)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.948707 Composed by Giacomo Puccini…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.948707 Composed by Giacomo Puccini. Arranged by Bradley Powell (The Candlelight Guitarist). 20th Century,Concert,Holiday,Opera,Wedding. Individual part. 3 pages. Geofonica Artistworks #6794347. Published by Geofonica Artistworks (A0.948707). One of the most beloved arias by Giacomo Puccini, from the opera Gianni Schicchi (1918), in a new off-the-record classical guitar finger-style arrangement by Bradley Powell (The Candlelight Guitarist). NOTE: This sheet music is in Standard Notation--(a separate edition in both TABS and standard notation is also available here). This arrangement is from The Candlelight Guitarist album The Wedding of Dulcinea & Don Quixote. It's an Intermediate classical guitar level (similar to Sor, Carcassi and Giuliani etudes), an excellent piece for concert or recital, weddings, dinners, or general enjoyment.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at the Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.
$3.99
3.72 €
#
Guitare
#
Giacomo Puccini
#
Don Quixote
#
O Mio Babbino Caro
#
Geofonica Artistworks
#
SheetMusicPlus
O mio babbino caro - for Guitar (TAB) and Piano accompaniment - orchestral play along
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1145420 Composed by Giacomo Puccin…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1145420 Composed by Giacomo Puccini. Arranged by Samuel Sequeira. 20th Century,Classical,Opera. Individual part. 5 pages. Samuel Sequeira #745649. Published by Samuel Sequeira (A0.1145420). O mio babbino caro -  Giacomo Puccini - ScorePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation. More arrangements on the link: Sam'S arrangementsO mio babbino caro -  for Guitar (TAB) and Piano accompaniment.Play it with a pianist or with a orchestral play along on the youtube video.Full score and guitar (TAB) avaiable on this saleContact the Arranger:Youtube: @SamuelseqInstagram: @SamuelseqEmail: samyseq@gmail.com
$1.99
1.86 €
#
Guitare
#
Giacomo Puccini
#
Samuel Sequeira
#
O mio babbino caro - for Guitar
#
Samuel Sequeira
#
SheetMusicPlus
O mio babbino caro - for Guitar (TAB) and Piano accompaniment - orchestral play along
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1145439 Composed by Giacomo Puccin…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1145439 Composed by Giacomo Puccini. Arranged by Samuel Sequeira. 20th Century,Classical,Opera. Individual part. 5 pages. Samuel Sequeira #745676. Published by Samuel Sequeira (A0.1145439). O mio babbino caro -  Giacomo Puccini - ScorePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation. More arrangements on the link: Sam'S arrangementsO mio babbino caro -  for Guitar (TAB) and Piano accompaniment. Play it with a pianist or with a orchestral play along on the youtube video. Full score and guitar (TAB) avaiable on this saleContact the Arranger:Youtube: @SamuelseqInstagram: @SamuelseqEmail: samyseq@gmail.com
$1.99
1.86 €
#
Guitare
#
Giacomo Puccini
#
Samuel Sequeira
#
O mio babbino caro - for Guitar
#
Samuel Sequeira
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.53 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Parting for Guitar Solo
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.876661 Composed by Dosia McKay. Ar…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.876661 Composed by Dosia McKay. Arranged by Dosia McKay. 20th Century,Contemporary,Pop. Individual part. 6 pages. Gavia Music #18657. Published by Gavia Music (A0.876661). From the composer: I wrote Parting for Baroque lutenist Will Tocaben in the summer of 2013. At that time it seemed that everywhere I turned, I saw relationships falling apart and close and distant friends going through breakups. I wanted to write a reflective piece expressing the sense of being pulled back and forth, the feeling of loss and uncertainty, with the final release and acceptance. Originally composed for Baroque lute in Dm, this transcription is prepared in Bm notated in treble clef for classical guitar, edited by Argentine virtuoso Sergio Puccini. Total duration 5'00''.
$20.00
18.66 €
#
Guitare
#
Dosia McKay
#
Dosia McKay
#
Parting for Guitar Solo
#
Gavia Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.53 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
O Babbino mio caro. Guitar duet (begginers).
Guitare
Solo Guitar - Digital Download SKU: A0.965147 Composed by Giacomo Puccini. Arranged…
(+)
Solo Guitar - Digital Download SKU: A0.965147 Composed by Giacomo Puccini. Arranged by Alvaro Nájera Ramos. Classical,Instructional,Standards. Individual part. 6 pages. ALVARO NAJERA #5300111. Published by ALVARO NAJERA (A0.965147). Opera aria arranged for guitar made easy. Great arpeggio-sight reading duet exercise for begginers-intermediate guitar students.
$29.99
27.98 €
#
Guitare
#
Giacomo Puccini
#
Alvaro Nájera Ramos
#
O Babbino mio caro. Guitar duet
#
ALVARO NAJERA
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.53 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.53 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Cigar Box Guitar - Classical Collection
Guitare
By Kansas. Arranged by Brent Robitaille. Rock. Score and parts. 17 pages. Brent C Ro…
(+)
By Kansas. Arranged by Brent Robitaille. Rock. Score and parts. 17 pages. Brent C Robitaille #3555115. Published by Brent C Robitaille
Did you know you can play classical music on your 3-string cigar box guitar? Now for the first time 45 classical pieces arranged for the 3-string cigar box guitar tuned G-D-G. All the pieces have tablature (tab) and notation with a combination of fingerstyle and pick playing styles. A good selection from master composers Bach to Vivaldi. Listen to the audio tracks online to help learn the music quickly. 45 Classical Masterpieces for the 3-String Cigar Box Guitar Tablature and Notation Audio and Video Tracks Online Standard Cigar Box Guitar Tuning: GDG Fingerstyle and Pick Arrangements Beginner to Advanced Players Scales, Fingerboard Note Charts, Right-Hand Exercises Master Composers: Aguado, Albinoni, Bach, Beethoven, Bizet, Boccherini, Brahms, Carcassi, Carulli, de Visse, Debussy, Dowland, Frank, Giuliani, Gounod, Grieg, Handel, Haydn, Mozart, Pachelbel, Petzold, Puccini, Purcell, Saint Saens, Sanz, Satie, Strauss, Sor, Tchaikovsky, and Vivaldi.
$17.99
16.78 €
#
Guitare
#
Kansas
#
Brent Robitaille
#
Cigar Box Guitar - Classical Collection
#
SheetMusicPlus
Romantic Arias for Classical Guitar
Guitare
Guitar (classical and lute) - Intermediate - Digital Download Composed by Steven Z. E…
(+)
Guitar (classical and lute) - Intermediate - Digital Download Composed by Steven Z. Eckels. Solos. Style. E-book and online audio. 96 pages. Mel Bay Publications - Digital Sheet Music #30514MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117983.<br> <br> Romantic Arias for Classical GuitarA is a collection of the worlds most beloved songs from the world of opera.A A An aria is a song performed during an opera that listeners are the most familiar with. These AC/a!Apop songs of opera" provide an entry point for those unfamiliar with the opera repertoire, considered by many as the most expressive genre of western music. For those who are familiar with the world of opera, you will recognize the selections here as the arias most beloved by millions of listeners around the world.This project, a labor of love by master guitarist Steve Eckels, contains the most famous melodies by composers Verdi and Puccini including the great operasA La Traviata,A Madame Butterfly,A La BohA"me,A Turandot,A Nabucco,A Tosca, andA Rigoletto. Also included are MassenetsA Meditation, DelibesA Flower Duet, OffenbachsA Barcarolle,A BizetsA HabaneraA and others. The pieces have been arranged for recreational or concert guitarists, and have been meticulously fingered and engraved for ease of learning. The author has also provided music reading warm-ups to assist in learning the pieces. Eckels performances of all the arrangements on YouTube will provide an aid in familiarizing yourself with the most beloved songs ever written.A Includes access to online audio.
$19.99
18.65 €
#
Guitare
#
Steven Z
#
Romantic Arias for Classical Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
